Jenny Eliza Quilt

This is my Jenny Eliza Quilt, named for the fabric collection it comes from.  The Jenny Eliza fabrics were designed by Jennifer Paganelli and I loved them at first glance.  I bought a piece of every print, went home, and promptly cut them up.  I made some half square triangles and sprinkled them in with squares in a random, patchwork style.  Within hours I had a quilt top.


But it felt incomplete.  I’d added some black and white in the center of each side, just for fun, as a subtle hint at structure.  It wasn’t enough.  It needed another layer.  So I folded it up and hung it in the closet to wait for an idea.


Shortly after I attended an exhibit of quilts from Pakistan and India, and they affected me emotionally.  I couldn’t stop thinking about them.  At length I decided to add some applique to my Jenny Eliza quilt top.  But I had one rule:  it had to come from my stash.  I picked a high-contrast black polka dot (less than half yard) and got started.


Scale was a challenge.  The wreath in the center should have been larger, but I didn’t have a piece of fabric wide enough.  Drawing, cutting and appliqueing it was tricky.  I finished it, stepped back, and felt dismay.  It was too small and it looked silly!  Somehow I had to stretch this small amount of black fabric.  I needed to create a large enough design to hold its own on the quilt.  Afraid I’d ruined it, I pressed on.  Using the black and white half square triangles on each side as a guide, I added stems, a tulip type flower, and scalloped leaves to each side.  Four small circles completed it, and I was OUT of fabric.


Somehow, it worked.  I’m happy with this first attempt at a layer of applique over a quilt top.  I used the last of my yardage to make a quilt back.  I quilted diagonal lines on the outside of the applique design into the corners, and filled the center with folksy flowers and leaves.  I’m not very good at floral quilting designs yet, but the busyness of the patchwork and the backing was very forgiving and gratefully it’s not something you notice right away.


I’m still intrigued by using a quilt top as a canvas for applique.  I started doing that with a lone star quilt top a couple of months ago, and it’s very slow going with all the hand stitching.  My Till We Meet quilt top might get an applique layer too.  We’ll see how long it takes me!


I learned a lot from making my Jenny Eliza Quilt.  It took me a few years to finish, but it taught me a great deal, and for that I’m grateful.

20 in 20 January Report

Here it is, the last Monday of January and I feel both urgency and relief at the thought.  Urgency because in spite of everything the month has gone much faster than I expected.  Relief because it has also been a dreary, heavy feeling month and I’m happy it’s almost gone.  Either way, it’s the last Monday which means I’m here with my 20 in 20 January Report.


Twenty minutes of sewing, six days a week, in 2020!  You can read more about my goal here , but what I’m really seeking is a journey.  I’m not after crossing 20 minutes off my list as much as I seek a creative process that is both exhilarating and effective.  THAT’S my real goal.  And my way there is to invest some time, every day, in figuring it out.


So let’s talk about January!  Part of the 20 in 20 monthly report is visual.  I started a half rectangle triangle (HRT) quilt to document my sewing time.  Every HRT represents both time spent sewing and what type of project I worked on.  The yellows are the Sabbath when I don’t sew, and any other neutral rectangle is a day when I didn’t sew a stitch.  My January blocks are above, placed calendar style beginning with January 1st.  You can see that I’ve missed only one day – the day that was my official kickoff!  (I’m still laughing about that one.)

I’m succeeding at spending a few minutes sewing every day.  That’s a victory, and I’m glad I’ve made it happen.  But truthfully, many of those days don’t represent a routine or a creative process at all.  They were more like, “oh no, I haven’t sewn yet today.  What can I work on for 20 minutes before I go to bed?”  It felt like the late nights when I’ve joined a sew along that requires posting a block daily, and I’m frantically making mine at 10:30 p.m.  Some of it is inevitable, especially on crazy days (like Wednesday, for me), but part of it was just lack of routine.  Seeing my HRT blocks like this gives me perspective.

So the biggest lesson I’ve learned in January is that I want a consistent routine more than I want to check it off the list.  I want to redesign my days and create a consistent time for creativity.


The second lesson I learned is that not all sewing time is equal.  I knew I’d run into this, and part of my 20 in 20 goal is to figure it out.  Two things happened:  1.  I wasn’t always clear on what I would work on, so I wasted energy waffling between projects.  2.  Cutting fabric for blocks feels very different than sewing and seeing blocks come together.

Regarding clarity, as new opportunities came my way, I needed to shuffle projects so I can complete the most important ones.  Sometimes putting first things first is tricky.  First according to what?  According to whom?  For about a week I just wanted to sew ALL the things!  The full swing of family life quickly knocked sense into me, but not before I bounced around with little to show for my efforts.  And what about my heart?  What about the ideas bubbling up inside that matter to no one but me, ideas that might be a flop but thinking about them gives me hope?  What about those?  Where do they fit on the project list?  They will never come to life if I don’t make space and time for them.

I’m learning that making my process effective and fulfilling will require making important decisions about what I do and don’t work on, and why.

As for the reward of sewing compared to the tedium of prep work, I didn’t make a category for prep time.  In a perfect world, that would happen in an extra block outside of my 20 minute challenge.  But it’s not a perfect world and sometimes you need to just stand there and cut fabric.  Like when I cut tiny diamond strips for 11 little lone stars.  It wasn’t technically sewing, but it needed to be done, and I counted it.  I’ve decided to let that time count as sewing time for the purpose of my challenge/experiment.

In summary, these are my three big takeaways in January:  I want routine, not a checklist.  I want clarity and purpose in my sewing.  And I am happiest when I’m actually sewing.  I’ll be pondering these things as I work on routines and effectiveness in February.

Overall, I’ve sewn on 22 of the first 27 days of the year!  That makes me happy.  I may not have tons to show for it yet, but it’s a solid start.  And that solid start wraps up my 20 in 20 January Report.

Have a great week!
– Jennifer

Summersville Quilt Top from leftover blocks

Way back in 2012, I made a cute pillow for my sister with Summersville fabric.  It’s a fabric collection I regretted not buying more of, so when my friend offered me some leftover blocks from her quilt to play with, I snapped them up.  The result is this Summersville quilt top.


The blocks came to me in triangles, with a solid center triangle and the dark gray on one side.  I played with layout and decided to pair them into diamonds, then sewed them into one much larger diamond. I added a thin border using a yellow/white stripe.


And then I felt stuck.  It went into the closet for a while, then came back out to get a dark gray border.  I was tempted to finish it in a diamond shape, but in the end I decided to turn it into a rectangle.  After trying dozens of ideas, I still didn’t like anything or didn’t have enough fabric to do it.  I finally pulled out a layer cake that looked good with the blocks.


The angles on this quilt made design tricky.  In the end, simple won the day.  I chose to sew the layer cake squares together into borders, and trimmed them before adding a second dark gray border.  At that point I was out of fabric and a charm pack of the same collection came to my rescue!  I did the same thing with the smaller squares.  One more gray border and some green in the corners allowed me to square up the quilt.


This Summersville quilt top is really simple, but colorful.  It was an interesting design challenge because I was working only from my stash. I also had a long, narrow diamond to build around.  Way back when I first pieced the triangles together, they were wonky and I didn’t square them up. When I quilt this, I’ll be dealing with a quilt center that doesn’t lay flat.  A good challenge, right?

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