AMH Voile Quilt


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One of my best friends moved away this summer, something that’s always bittersweet.  I’m so thankful I know her and we were blessed to spend a lot of time together in the months before her move, which made it both harder and easier.

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I pulled out the voile quilt top that I pieced last year and decided it was the perfect thing to send with them to their new home.  The vibrant colors of the fabrics are a good combination of both our styles and backing it with the IKEA nummer fabric seemed a good choice.  I love the contrast and wish I wasn’t running out of that number fabric!  I have given away every quilt I’ve backed with it.

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The quilt is a simple patchwork design, comprised of 6″ (finished) squares and measures 90″ square.  Much as I love awesome quilt designs, there is something about patchwork that always makes me smile.  The best part of this quilt is the voile – such a soft, smooth hand and light weight.

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I quilted it myself in a simple cross hatch design on the diagonal through the center of each square and bound it in a black and white houndstooth print.   It feels good to have finished something, and even better to have sent it on it’s way!  It’s finish #5 for 2014.   I think I may need to get out the rest of that voile fabric and make another.

Have a great day!

Tone It Down Quilt


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My Tone it Down quilt blocks have become finished quilt #3 for the year and given how busy life has been, it seems amazing that I’ve finished anything at all.

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I love this quilt for several reasons.  First, it has pieces of so many fabrics in it.  I love the scrappy look it has, and having so many little bits I love in one quilt makes me smile.  There’s also a distant memory that kept coming to mind as I worked on it.  Many years ago my mom’s sister made her a quilt and I remember looking at it in awe.  The pieces were so small and I remember wondering if there would ever be a time in my life when I would be capable of making something so complex.  Twenty (or more?) years later I look at all the little pieces of this quilt and think “maybe I’m a real quilter, after all.”

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The navy and green together remind me of an outfit my mom bought me in high school.  I was running for class president and we found the perfect thing for me to wear when I gave my speech.  I’ve always loved navy and green together but when I see this combination the first thing that comes to mind are those clothes.   I’m so glad navy is back in style.  I never stopped liking it.

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The backing was pieced in an attempt to “use it up” without worry of running out (something I’ve always struggled with).   The Pillow & Maxfield prints were a gift from my sister, the veggies print by Maude Asbury reminds me of Broadbent’s quilt shop where the Utah County Modern Quilt Group meets.  There’s a piece in there that I’ve had for at least 15 years because I loved it and couldn’t even explain why.  I have very little of Denyse Schmidt’s Katie Jump Rope but used it anyway.

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There is a funny story about one of the blocks in this quilt.  When I was half done I suddenly felt that I couldn’t bear to make another block.   I wanted to do something else, but this project had taken over my space and I’d committed myself to finish it.  I started working faster, trying to crank them out, but 97 pieces only go so fast, even when you’re chain piecing.  If you look carefully at the top right corner of the quilt, you’ll see in there a bright aqua fabric that’s not very “low volume.”  That was the block on the sewing table when my desire completely fled, so I fussy cut a little “keep calm and sew on” piece to swap into the block in place of what I had planned.  It would be the reminder block – the one that would make me smile when I remembered how badly I wanted to put it away.  In fact, when I had the quilt top finished the first thing my children wanted to do was find that square.

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What really makes me laugh about that block is the fact that on the top row of the block, the green pieces are upside down!  In my lack of enthusiasm I completely failed to notice that I pieced it incorrectly.  In fact, I didn’t notice it until the quilt was bound and finished and one day I looked at it and it was the ONLY thing I saw.  I guess that’s what happens when you look at something too much.  So there’s an imperfect block in there that will stay as it is, and the whole thing just makes me laugh. I guess a mistake like that is a great way to make sure your quilt is one of a kind!

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Every time I piece a quilt top I think to myself “I’ve got to have this one professionally quilted” because I love it so much.  And then I finish it and hang it in the closet and get back to work around the house.  I look at my children, how quickly we get holes in shoes, how much they eat, how much their activities cost, and remember that we’re in our most expensive years – and will yet be in this stage for a while.  So I go back to the quilt, baste it and take a deep breath, and do my best.  My quilting leaves much to be desired, but I’m trying and I’m slowly improving.  On this quilt I tried the loopy pattern that Denyse Schmidt made so popular with the release of her most recent book, Modern Quilts, Traditional Inspiration .  (A paragraph in that book provided me with a life lesson, shared here .)

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The rows vary in height (I did that on purpose) and it’s full of mistakes but I suppose that means it has even more of me in it.  For the binding I hunted down the diagonal navy stripe from Bonnie & Camille’s April Showers collection and it was the perfect thing.

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A finished quilt is better than a perfect quilt, and this beauty will always be a reminder to me of where I am right now – my skills, my tastes, the craziness of life, my sudden desire to quit, the popularity of low volume fabrics (a trend I’ve totally fallen for) and even a reminder of other quilters, well-known or not, whose work influence me at this point.  The evening walk we took as a family to take these photos and the afternoon my kids spent crawling all over it playing “I spy” are memories already wrapped up in it, too.

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Thanks so much for visiting!  For more information on the source of this pattern see this post .

Jennifer

Pixelated Heart Quilt + Heart Quilting


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My Pixelated Heart quilt , which is also my first finished quilt of 2014 (finished back in February) is something I intended to share here but never did.  I want to share it anyway, largely because the idea for quilting it was such a fun experience for me.

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Because there is no sashing between the blocks, the horizontal feel of background fabric throughout the quilt seemed a little stronger than I wanted, so my goal was to find a way to balance the lines in the quilt.  I also wanted to keep the quilting very simple while trying something new, and my daughters hoped it would include hearts.  An idea struck and it worked, and I had so much fun doing it!

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Vertical quilting lines, one line per each 2 1/2 inch strip of the quilt but with little hearts quilted in every other square, was what I did.  Super simple, and yet I’ve never seen it done before and it did the trick!  All of a sudden the movement in the quilt is balanced and there are all these cute little hearts dancing through the background between the pixelated hearts.  This turned out to be a simple way to quilt, almost straight line in nature, with a little bit of free motion quilting thrown in.  Not a bad way to practice, learn, get a little experience and develop quilting skills if you’re like me and spent way too long being afraid of free motion quilting.   I feel like the design adds to the design of the quilt.  Because I’ve had many people try to figure out how I did it, I thought a couple of photos of my sketches might be useful:

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Essentially, there are 4 steps to the pattern.  A straight line down the center of the strip you’re quilting, then one half of the heart, then straight back up the center of the heart, and then stitching the other half of the heart, ending at the bottom point ready to continue down to the next one.  As I was quilting I kept thinking of hearts dangling on ribbons from the ceiling.  I didn’t like the idea of hearts everywhere, so I quilted each line in an offset way so that there would be open space as well.

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I like the way each pieced heart is now framed by lots of little ones in the background.  Quilting this quilt was a fun experience in trying something new to see if it would work.  I think you could run with this idea of quilting in mostly straight lines but throwing in a small design along that line and use it with all sorts of shapes or motifs.  This is filed away in my imagination as an idea I may want to come back to in the future with some other design.  And like I already mentioned, it’s a comfortable way to step out of your comfort zone if straight line quilting is your thing.  I should mention that I used my darning foot, and not my walking foot, for this design.

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The backing is made up of a vintage piece of fabric I’ve had for too long (on the top) and some sweet hearts on the bottom.

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Continuing with my love of black and white bindings, I used a small houndstooth print to bind this quilt.  I love the way it frames everything.

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And finally, I found this little label at my LQS and decided it was perfect for the quilt, so it now has a label on the back.  This is something I want to do more of.

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The quilt has now seen many hours of use and I love seeing my children snuggled in things I’ve made for them.  When I wrote down my quilting goals for 2014, four main categories emerged for the projects I felt drawn to.  One of them I have labeled “chase an idea.”  I want to leave room in my sewing to follow an idea when it comes and see what happens.  The layout of the quilt (tutorial found here) , followed by the quilting, certainly fall into that category.  I find it is very satisfying when, after sketching and brainstorming, the idea comes and I act on it with decent results.

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Hooray!  I hope you’re chasing an idea today!
Jennifer

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