Scrappy Swoon: Fabric and Cutting



Welcome back everyone!  It’s time to talk about fabric requirements for your Scrappy Swoon quilt.   But before we do that, I want to share a few thoughts about fabric selection.


This is a large patchwork quilt, and the fun of it is having all sorts of values and tones in your choices.  As you can see above, I used a large variety of greens.  Some of them are very warm toned, while some are cool.  I have dark greens, olive greens, and the brightest of them is the elephant print.   A variety of large and small scale prints will also add interest to your quilt.  I really believe that in a quilt like this, the more the better!  Because this was a Christmas print, I limited my greens to just green on green or green and white prints with the exception of the stripey ornament print which I added.  That little stripe of red, sprinkled throughout my greens, is fun, and it coordinated with the quilt as a whole.   I didn’t use that fabric with a red stripe in it on any of the half square triangles, however, because I wanted the lines between the colors to stay clear and strong so I didn’t lose the Swoon pattern at all.   So, when choosing your fabrics, you may find that some of them will work best in the center of a section and not as a “border” print.

Something I realized as I started pulling pink fabrics for the quilt along was how many of my pinks are floral prints, meaning that they actually have a lot of colors in them.  I’m going to use those prints very sparingly because I want the pink areas to read as pink, not a rainbow.  That said, I’d love to see someone interpret this quilt with a rainbow of colors; I’m sure it would be amazing!  I also think this would be a fun project using all solids, but in a variety of shades.


In my red fabrics, you can see that I used a couple of Christmas prints I had which have green in them and they work well.  You can also fussy cut your fabrics to make them work.   I used Laurie Wisbrun’s chair print but cut the orange chairs out so I only had a red and white print.


As you can see in the picture above, I used some prints that had a lot of red AND white in them.  The holly leaf square above is a good example.  I used this print sparingly and always buried it in the middle of my red sections, but it works and adds a lot of visual interest to the quilt, especially when you’re looking at the quilt as a whole.


Now for the background prints.  There is actually more background fabric in this quilt than there is of either color.  With this in mind, I wanted the entire quilt to be visually interesting so I was pretty liberal with my “whites.”  I don’t know that anyone would call the Annie’s seed packet print “white” but it looks right at home amidst the other prints.   I opted for mostly whites with green or red patterns on them, but I also have a bit of brown, black, blue and other colors in there.  I also chose to include prints with both a true white background as well as creamy backgrounds and anything in between.  When you’re choosing your background fabrics, remember that if everything is pretty much the same, there won’t be as much to look at when you’re finished.  Make this a quilt full of your favorite prints, no matter how different they may seem.  I have old fabrics that were left over from quilts I made years ago mingled with new, much more modern prints in this quilt.  Remember that the finished product will be all the more impressive if you have a lot of variety.

FABRIC REQUIREMENTS AND CUTTING:


For your background fabrics, you’ll need  42 – 3 7/8 inch squares and 192 – 3.5 inch squares
For your primary color (the center star color) you’ll need 36 – 3 7/8 inch squares and 132 – 3.5 inch squares For your secondary color (the outer ring) you’ll need 30 – 3 7/8 inch squares and 168 – 3.5 inch squares The quilt will finish at 72 inches square How to cut:

If you’re cutting strips of fabric, assuming a 42 inch width of fabric, here’s what to do.  Cut a strip of fabric 3 7/8 inches wide.  Trim selvedge and then cut 2 – 3 7/8 inch squares.  If you then trim the remaining part of the strip to 3.5 inches wide, you can cut another 9 or 10 3.5 inch squares from that strip.  So, a strip of fabric will yield 2 – 3 7/8 inch squares and 9 – 3.5 inch squares.  If you cut 3 of the larger squares from a strip, you’ll get 8 – 3.5 inch squares from the rest of the strip.  Once you have all the 3 7/8 inch squares you need for that color, you can cut your remaining strips 3.5 inches wide and one strip will yield 12 – 3.5 inch squares.

If you’re cutting fat quarters, assuming the corners are squared and it’s truly 18 by 21 inches, you can cut it this way:


Note:  cut carefully!  You only have an eighth of an inch wiggle room here, but it isn’t hard to do.  If your fat quarter isn’t square or isn’t really 18 inches wide, then you’ll lose one row of 3.5 inch squares.  But assuming your fat quarters are the size they should be, one fat quarter will yield 5 -3 7/8 inch squares and 24 – 3.5 inch squares.

With these basic guidelines, here’s what you’ll need for each color:

Background fabric:  15 – 3 7/8 inch strips (cut 3 – 3 7/8 inch squares from each strip)  plus another 6 – 3.5 inch strips OR 8 fat quarters plus two additional 3 7/8 inch squares OR some combination of the two. *If you need to just cut an entire strip of 3 7/8 inch squares, you will get 10 squares per strip.

Primary fabric:  16 – 3 7/8 inch strips (cut 4 – 3 7/8 inch squares of 3 fabrics instead of just 2) OR 7 fat quarters (you’ll have extras) OR some combination of the two Secondary fabric:  15- 3 7/8 inch strips plus another 3 – 3.5 inch strips OR 8 fat quarters (you’ll have extras) OR some combination of the two Now, the larger the variety of fabrics you use, the less you’ll need of each.  I won’t end up using an entire strip or fat quarter of any of my prints.

If you want to just cut everything out now, then go ahead and get started.  Know that you will be cutting 600 squares, which is a lot of squares to keep track of.  I prefer to cut mine as I make each section, so if you want to do it that way with me I’ll be posting how many of each square you need at the beginning of each post.

Well, that’s it for today.   Don’t forget to upload a picture of your fabric to the flikr group .  I can’t wait to see your awesome color combinations.   Next Monday we’ll meet back here for instructions on piecing the first two sections of the quilt.  Good luck with your fabrics, and we’ll see you soon!

Jennifer To read the next post in this QAL, click here .

Scrappy Swoon Quilt Along!



I am so excited to announce the Scrappy Swoon Quilt Along!  I first shared my quilt in November, and there has been enough interest in it that I’ve decided to host a quilt along so you can make one too.

My project was inspired by the talented Camille Roskelley of Thimble Blossoms whose Swoon pattern swept me (and so many of you) away with it’s beauty.    This large scrappy version of a single block was inspired by Camille and the hundreds of amazing Swoon projects on Flikr .  Making the scrappy Swoon is completely different than making the original Swoon pattern (which I recommend you try if you haven’t already), so Camille has graciously given me permission to offer this quilt along.

And so, who’s in?  Want to Swoon with me?  What better way to start the year?!

Start looking at your stash/scraps to choose three colors for this quilt:  a background color and two contrasting colors for the block.  You’ll need pieces at least 3.5 – 4 inches squares/strips, and lots of them!  Right now my fabric stacks have more than twenty prints per color in them.  For this quilt, the more the merrier!

I’ve decided to make mine using more whites (not necessarily “whites”, but definitely low-volume) for the background:


My primary color (the color of the center star) will be this collection of mostly dark pinks:


And my secondary color (the color of much of the outer ring around the star) will be navy and royal blues:


You don’t know how much I wish I could get my hands on a few pieces of the navy blue fabrics in Bonnie & Camille’s upcoming collection, Happy- Go-Lucky!
I so wish they were available now so I could scoop some up.

Ok, so raid your stash and start your piles.  I’ve started a Flikr group which you can join here.


Meet back here next Monday, January 7th, for more specific fabric requirements and a conversation about selecting prints for this super-scrappy project!  We’ll begin in earnest on Monday January 14th.
Spread the word, and see you soon!

Jennifer ** Click here for the next post in this quilt along

A Star

I promised myself some sewing time the day after Christmas, and decided it would be wise to work on something that would push me a little.


I pulled out two things I’ve been looking at for a while now:


Christmas, by Pillow & Maxfield, is a bundle of fabric I bought on a great sale a few months ago.  I did a lot of Christmas themed sewing this year, but didn’t get to this stack.  It’s bright and bold, and how could I resist one of my all-time favorite prints in new colors?


After Camille’s post , I picked up this pattern (and let me just say that I have NO IDEA how it is that it was MAY when I read that post???!!!  I was SURE it was September or something.  Oh my, was 2012 a blur!):


After thinking about Camille’s block (for a lot longer than I realized, apparently!) I decided to try it in the Pillow and Maxfield prints.  I was a little worried about how the large scale prints would read in this quilt, but I decided to try it anyway.


I think they look just fine.  I’m using Heather Bailey’s Hop Dot print from the Nicey Jane collection as a background print, because I’ve been itching to make a quilt with a pattern for the background instead of a solid.  The Hop Dot is a nice compliment to the Christmas prints.

I’ve never made a quilt with diamonds before, so this was a good exercise for me, especially in figuring out a way to pin everything so my points matched up perfectly, which I eventually did.  It was also an exercise in getting comfortable with “Y” seams, another thing I’ve avoided in general.   After doing eight of them last night, they’re not so bad.


So, lots of pins, lots of Best Press, slow sewing, and I’m thrilled with my first block.  I’ve got the second one sitting on the table waiting to be pieced.  I wonder if I can come back to this once a month until all 16 blocks are done…. it’s tedious enough that I’m itching for some kind of  quick finish project.

Are you like me, with 15 quilts or patterns dancing around in your head, just waiting for you to make?  I sat down the other day to list them all and I was shocked by the final number.  There is so much I want to do, it’s hard to decide where to start!  What’s on your sewing list for 2013?

Jennifer

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